Dzong | The Fearful Symmetry of Bhutanese Architecture | 10.27

In a way, for me, there’s something long-reaching, far-running, back into my mind and memory for the spirit and personal connectedness that I’ve got with the nature and spirit of Bhutanese, and Himalayan, architecture; there’s something that’s right about it. And I’m not sure why. It’s like ravens — why, do they attract me? Why do these buildings fascinate me? It’s like the lightning bolt discovery, the first time seen — Potala, the grand fortress in Lhasa. White-washed, the most spectacular layering of weight and the power of gravity defying mass

I can’t answer that. But will ask my guide here, surely a very spiritual man. Tsewang Nidup — his site: www.bhutan-expeditions.com.

I would venture that there’s something to the mimetic link to this architecture that harkens to the admiration of the design thinking of Frank Lloyd Wright, as well as the Greene Brothers of Pasadena. It’s the splaying of the wall line; it’s the spreading roof; it’s the detailing of the pillar and beam work; it’s the support structuring;  it’s the carpentry joins; it’s the use of texture, light and color; it’s the way that people appear, standing next to it (small…)

It’s that and a great deal more that is unexplained, but compelling and magnetic, to my spirit — and has long been…

Here then, proof to majesty.

Feast and wonder…

Paro Dzong:
IMG_2131.jpg

IMG_3988.jpg

IMG_3994.jpg

IMG_3995.jpg

IMG_3998.jpg

IMG_4000.jpg

IMG_4005.jpg

Thimphu Dzong:

IMG_2670.jpg

IMG_2690.jpg

IMG_2691.jpg

Punakha Dzong: 

IMG_2811.jpg

IMG_2816.jpg

IMG_2847.jpg

IMG_2848.jpg

IMG_2850.jpg

IMG_2864.jpg

IMG_2865.jpg

Bumthang Dzong:

IMG_3356.jpg

IMG_3370.jpg

IMG_3372.jpg

IMG_3375.jpg

IMG_3378.jpg

IMG_3381.jpg

Trongsa Dzong:

IMG_3524.jpg

IMG_3581.jpg

IMG_3583.jpg

IMG_3594.jpg

IMG_3600.jpg

IMG_3606.jpg

IMG_3609.jpg

IMG_3642.jpg

IMG_3693.jpg

IMG_3700.jpg

Drugyel Dzong:

IMG_4169.jpg

IMG_4171.jpg

IMG_4178.jpg

IMG_4186.jpg

IMG_4190.jpg

IMG_4198.jpg

Wangdu Dzong:

IMG_3802.jpg

IMG_3807.jpg

IMG_3808.jpg

IMG_3809.jpg

IMG_3811.jpg

IMG_3821.jpg

IMG_3832.jpg

IMG_3833.jpg

What is the sense, finally, of fearful symmetry? The great scale of the places, the cant of majesty, implied in the character of those worlds, the size of the human, kind, found there, quiet and passing in the courtyards. Yet, in the end, the sheer vitality of the space and the context of the people there in — the large vessel, the containment. The massing of the administrative and politically inclined leaders and Dzong workers and the combinations of the monastery masses; it’s the combination of all these sentiments that’s remarkable.

Combined, there in.
They’re in.
Withal.
With all.Â